I’m country. I grew up in Broad Marston,
Worcestershire: population: 80, number of houses: 28. I now live in London,
England: population: 8,415,535, number of houses: does anyone know? The
statistical difference between the country and the city can be staggering. As a
consequence the experiential difference is often misunderstood.
City
dwellers can idealize the countryside as a retreat, a place where you go to escape
the technological barrage of modern life. However, if you grow up in the
countryside, you’re not only keyed in to mass media, you are glued to it.
There’s no live entertainment on your doorstep, at least not from established
performers, but you do get to hear all the hit records and you do get to view
all the hit TV. On winter nights, in particular, there are few entertainment
options, and so you turn on, tune in and sit down. You become mediatised
through and through
Many
of my friends made music, but we didn’t necessarily want to do gigs, as that
wasn’t a form of entertainment that we understood. Our currency was records and
so it was as record makers that we saw ourselves. I’d made dozens of ‘albums’
before I’d learnt to play an instrument. I’d designed their sleeves and I’d
written their sleevenotes. I’d also worked out dance routines for when I was
going to appear on TV.
Several
of us went on to write songs that had a sense of place – we celebrated our
environment - but there was nothing ‘organic’ about our outlook. We knew that
we’d have to be uprooted from our villages if we wanted to make the big time
(none of Broad Marston’s 28 buildings housed a record company) and we realised
that it would be hard to keep a band intact if this transition were to take
place. We were constantly projecting. Although we were rooted in the countryside,
we were envisioning success in the city.
Did
any of us make it? Not really. There was too far to travel and too much to do.
Did any of us resent the mass media for selling us an unobtainable dream? Not at all, it was our Huckleberry friend.
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